We're all home from the fashion weeks now. Hope y'all enjoyed my Tweets from the shows!
The Haider Ackermann finale
While enjoying the mundane motions (or rather lack them) of a Duvet Day, the back of my mind was still whirring with what Had Gone On At The Shows. With more people blogging, tweeting and reporting straight from the catwalks than ever before, it felt more appropriate for me to bring you the fruits of some prolonged throught.
Paris clinched the change that has been occurring and manifesting since last season. For your information the DNA of the way we dress has already changed; you just don't feel it yet. The fashion media of which I am part are calling it - new minimalism, grown-up dressing, modern elegance, the return of elegance - all sorts. And it is all of that, but more than anything after all the craziness of elevated platform heels, enormous shoulders, and the tyranny of bodycon, this change is, in my opinion, a pressing of the reset button. Somewhere we can start again from. Phew!
Hopefully you will understand what I am getting at by the end of this post.
I feel these fashion changes more than most. Like a fisherman who can sense a weather change, I've got a sixth sense for fashion future and it can be rather personally affecting. Eg. I can no longer wear jeans. Just can't bring myself to do it. Also, was wearing my old Chloe and Helmut Lang tailored trousers in lieu of having no decent trousers to wear for London. Then Oh! I bought myself a pair from Celine and Ms Mower donated to me a pair by Ohnetitel...... Happiness!
The fashion reset can be summed up pictorially by showing you what is considered the height of zeitgesity fashion for this, the Spring/Summer 2010 season, and then what makes it look wrong...
BALMAIN SPRING/SUMMER 2010.
So, how do you feel about these images? For me they sum up what is not fashion now. If I see another sequin legging, big-shouldered blazer, aged, ripped T-shirt or worn-in jeans I will scream. Just like that I cannot stand the sight of them; and it is officially not even Spring yet. When I saw the French Vogue women out in Paris at the shows still working a vaguely Balmain look (these women heavily support Balmain as a brand, and work on the shows and campiagns) I felt they were so out of touch with the new mood of fashion. And when Nicolas Ghesquiere of Balenciaga banned them from attending his show for their various corporate consultancies with labels such as Balmain, Marant and some sort of issue related to a stylist in his employ - it seemed that their time as arbiters of taste was up for now, at least.
CELINE AUTUMN/WINTER 2010
Looking at these images makes me feel better. Already. These clothes are sexier than Balmain; aimed at women with style and self-respect. It isn't just Celine that represents this change in the pace of fashion from trashy to lovely. Chloe and Stella McCartney are also redressing the notion of fashion - no doubt spurred on by the bar set by Celine designer Phoebe Philo's debut at Celine last October. This week belongs to Phoebe Philo, the British designer who is my age and lives up the road from me. As a designer she is very closed-off to the press, talking only to the select few journalists she has known since day one. I have so many questions to ask her.....
For now, though I leave you with THE JUMP: from Balmain to Celine in six months. Can it be done? And how?
PICTURE CREDITS: CHRIS MOORE/CATWALKING